Bant Mama movie review & film summary (2022)

Posted by Larita Shotwell on Thursday, June 13, 2024

Through this setup, writer/actress Albrecht uses her own experiences living in France, Guinea-Bissau, Mozambique, and the Dominican Republic to explore the inexorable cultural connections between Africa and the Caribbean. Director Herrera proves to be an apt partner, bringing a strong visual acumen to the film, creating a lively world, and coaxing unforgettable performances from a cast of mostly first-time actors. 

Through visual cues and smart dialogue, the film hints at the pull between the worlds that reside within Emma. She shares her apartment with a parrot named Coco, her walls decorated with traditional raffia masks. As she leaves for the airport she spins a bronze statue, its arms outstretched as if reaching in two directions. Later, an immigrant working at the resort braids Emma’s hair. While chatting Emma says she’s from “France ... and Cameroon.” The woman responds, “I would love to go to Africa one day.” “Me too,” she replies, a wistful look on her face. 

How and why Emma has found herself smuggling drugs is left intentionally obscured, though cross-cutting to visions of another idyllic ocean implies it’s a means for Emma to make her dream of Africa a reality. Albrecht’s psychologically complex performance renders total clarity unnecessary. We’re in it with her as she waits for her flight to board, when security randomly pulls her aside, and again when she’s arrested. Herrera keeps his camera focused on Emma, centered in the frame, her face projecting all her fears and dashed hopes.

Although the means of Emma’s escape and later discovery by T.I.N.A. (Scarlet Reyes) and her older brother $hulo (Arturo Perez) is a bit contrived, her connection with the kids is natural and unforced. Reyes in particular is a force of nature as a girl who has had to grow up and take charge of her life, and that of her brothers, way too young. Euris Javiel as Tina’s youngest brother Cuki gives one of those authentic kid performances that transcend precociousness, serving instead the honest sweetness that children of that age naturally possess. 

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