The setup, briefly: Lara (Polster) lives with her father and little brother. The family has moved to the city so Lara can attend an elite ballet school. Simultaneously, she is in the beginning stages of gender transition, with hormone therapy, doctor consultations, etc. Her father is supportive of her, but is worried about her moodiness and her fraught relationship with her changing body. Lara has a lot of responsibility in the household, is more like a wife than a daughter, cooking, taking care of her dad and younger brother (who slips up occasionally, referring to Lara as "Victor," her old name).
The ballet classes are the best parts of "Girl," with Frank van den Eeden's cinematography tossing us into the midst of the classes, giving a visceral sense of the experience—the sounds of feet landing on wooden floors, the looks of concentration, the emotional pressure and competition, everyone keeping an eye on everyone else, as well as an overall sense of the overwhelming difficulty of ballet. To be even moderately "good" requires single-minded focus from the earliest age. Lara's challenges are different from her classmates. She is enrolled in this new school as a female, a controversial decision for her fellow classmates. Lara must devote herself to "catching up" with the other girls, all of whom have been training their feet for dancing en pointe since they were children. Lara has not trained that way, and she works hard with a private teacher, bending and warping her bloody feet into shape. All of this is really interesting!
Unfortunately, "Girl"'s fascination with Lara's gender transition translates into a leering focus on her genitals, shoulders and chest. Even disregarding the controversy, "Girl" does not work, mainly because Dhont's focus is all wrong. What's interesting in the story—Lara's experiences as a trans ballerina—is treated as background noise, or at least secondary to the obsession with what her body looks like. There's something voyeuristic about a camera zooming in repeatedly on a teenager's groin. Looping Lara's body hatred (there's no other word for how it's portrayed) in with being a ballet dancer seems like it would make sense—there's a lot of overlap—but that's not really explored. Instead, the camera seems to ask, repeatedly, "What's going on in her crotch?" Against advice, Lara tapes down her genitals, and there are numerous scenes of her rashes, her taping process, the pain it causes her. There's a very graphic scene of self-harm late in the film. The result of all of this is, I believe, unintended on the part of the director.
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